iamhyperlexic

Contemporary short fiction, poetry and more

Sherlock S3E3: His Last Vow and Series 3 Awards

The title was the usual pun on an original Conan Doyle story, ‘His Last Bow’, the very last in the storyline of the originals, though not the last to be published.  As usual, there was a mixture of references to Conan Doyle.  The meeting between Mary Morstan and Sherlock drew from ‘The Empty House’, in the kind of location , the use of a dummy Sherlock, and the subject of marksmanship.  The references to ‘the East Wind’ also come from a dialogue between Holmes and Watson at the end of ‘His Last Bow’, but the symbolic meaning of it has been altered to make it contemporary.  

I was interested to note that the missing ability in higher mathematics, which Conan Doyle attributed to Moriarty (Professor Moriarty, to be precise) turned up in connection with Sherlock and Mycroft’s mother.  I suppose that everybody knows by now that the parents were played by Benedict Cumberbatch’s real parents (and that Martin Freeman and Amanda Abbington are partners in real life).  As soon as I realized during series 1 that this adaptation does not depict Moriarty as either a mathematician or a professor, I felt sure that it was going to be cutting-edge and contemporary.  The fact that the mathematical accomplishment has eventually turned up suggests how determined Mark Gatiss and Steven Moffat are to re-use as much of Conan Doyle’s material as possible.  They are, to paraphrase Eric Morecambe, playing all the right Conan  Doyle notes – just not necessarily in the right order.  It is significant that the mathematician is a lesser, boring character, rather than a cool, major character.  Gatiss and Moffat also seem to have a passion for pay-off and return, and so I think it likely that Mrs Holmes’s triple integrals may turn up in series 4.  Her textbook is entitled ‘The Dynamics of Combustion’, and so I predict she will be called upon when something is about to catch fire or explode, probably at a moment when she only has thirty-eight seconds left in which to do the calculations.  

Here are the Sherlock Series 3 iamhyperlexic awards.  As is customary, Sherlock (Benedict Cumberbatch) is excluded from all categories except his own. WARNING: contains what may be construed as spoilers.  

Best Villain: Alongside the two obvious nominations for Moriarty (Andrew Scott) and Charles Augustus Magnusson (Lars Mikkelsen) are two others: the photographer in S3E2 (Jalaal Hartley) and Mark Gatiss (Mycroft, for the way he treats young Sherlock).  The winner is, of course, Moriarty.  Even when he is not there, his presence is still felt.  Moriarty is the only one who could have beaten C.A.M.  The Charles Augustus Magnusson of Sherlock is even more stomach-turning than the Charles Augustus Milverton of the original.  But he under-estimated Sherlock and got shot, and so he loses.  

Word Cloud Most Harmful to Hyperlexia Sufferers: the one surrounding Mary Morstan (Amanda Abbington) outside the restaurant in S3E1.  This returned in S3E3, where the word ‘Liar’ persisted.   I hope, if it ever returns, it is with adequate supporting explanation.   The lists which appear in S3E3 when C.A.M. has his spectacles on are also rather irritating, but yielded to the pause button.  

Funniest Word Cloud: (Actually a series of word clouds) the ones in S3E2 which appear at the crime scene when Sherlock is stumbling around, drunk.  

Best New Character: Archie (the page boy with the penchant for murder scene photographs in S3E2), Young Sherlock, Mary Morstan,  Mrs and Mrs Holmes, Bill Wiggins (Tom Brooke).  The winner is Bill Wiggins.  I am sure he has a bigger future in series 4.  

Best Re-use of Conan Doyle Material:  there are dozens of possible nominees.  My favourite is Sherlock’s mention of white supremacists when he sees the tattoo on the hand of the unconscious security guard in S3E3.  This is a reference to ‘The Five Orange Pips’, a story about the Ku Klux Klan.  

Best Don’t Try This At Home Moment: Drinking beer out of measuring cylinders.  Upon their first appearance, when Sherlock asks for two “beers”, they were clearly filthy, as laboratory glassware often is, and hence, probably, toxic.  

Sherlock’s Best Moment: When he drops the champagne glass in S3E2, having realised that Tessa, the nurse, had referred to John Watson by his middle name, and hence had seen one the wedding invitations.  Or using an engagement ring as an inducement to get into C.A.M.’s flat in S3E3.  The champagne glass narrowly wins it.  This is the essence of genius: bothering to regard something as important, even when it is manifestly unimportant to every-one else in the world.    

Best Moment By A Character Other Than Sherlock: John Watson’s escalating beatings of Sherlock in S3E1 when Sherlock reveals he is alive.  Molly Hooper’s (Louise Brealey) slapping Sherlock repeatedly in the face when his urine sample tests positive for controlled drugs.  Mrs Hudson’s uncontrollable laughter when she realised that Sherlock would have to read out the telegrams at the wedding.  The winner, just, is John Watson’s busting of Sherlock’s nose.  The fact that the eateries Sherlock, Watson, and Mary Morstan attended got less salubrious each time Watson made another attack was very funny.  Molly, while important to the story in this series, seemed to have a smaller part than she played in the last one.  I hope she moves back into the foreground in series 4.  

Best Editorial Decision: Giving Mary Morstan a substantial and mysterious back story.  In the originals, she has “Victim” written across her forehead from the first moment she appears.  Or preparing for series 4.  Preparing for series 4 wins by a mile.    

And please, Mr Freeman, no more messing about with dragons this time.  It’s redundant, all that stuff.

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