How I write 1: getting the utmost from a free-write
December 9, 2011
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For those who don’t already know, “free-writing” is a method of freeing the creativity of the subconscious mind. It is a simple but very important technique. It is part of the discipline which separates writers from those who merely want to be writers. It is part of the writer’s response to a situation in which another person would say “I can’t think of what to write”.
Many of my fellow students at the Open University fail, in my opinion, to get the best out of free-writing. The reason for this is that they neglect the “free” element of it and end up with nothing more than “writing”: something written by the conscious rather than the subconscious. People in this category tend to remain unconvinced of the power of free-writing, which is not surprising, since many of them have never actually done it.
I recommend the following steps.
- Choose a prompt. This can be anything. It does not necessarily need to have anything to do with any writing project you are considering. It is merely a starting point. It could be anything from ‘I feel sick’ to ‘Paris’: anything from ‘The robber fired the gun’ to ‘Bed-time’. Turn to a blank double-page in your notebook (preferably an A4 notebook) and write the prompt at the top of the first page.
- Start writing. Don’t bother with grammar or punctuation. The English language has now ceased to exist and there are just words. Throw the words onto the page. Start writing immediately. Don’t think. Thinking is a conscious action and so thinking is banned. You are not writing this: your subconscious mind is. Let it speak. All you have to do is hold the pen, so shut up and write.
- I said FASTER. Come on! Come on! Come on!
Write until the table shakes. Write until the nib of the pen tears the paper. If you are in an upstairs room, write until the people downstairs come up to find out what the hell is going on.
After about four or five minutes, you should be exhausted mentally and, preferably, physically as well. I recommend repeating this no more frequently than once per hour. I usually find that two free-writes in one day will give me enough material for a piece of short fiction or a poem.
Finally, of course, examine and reflect on what you have produced. It should surprise you, because you – the person you are accustomed to thinking of as you – didn’t write it: some-one else wrote it. That some-one else is your subconscious.
And make sure you remember to lock your subconscious mind away again, before it starts roaming the landscape and constituting a creative menace to decent folk everywhere.